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情节摘要
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
观众心声
乖巧规整，毫无惊喜。在洪常秀电影里不是拙就是疯且看似不会演戏的河成国在mimang里也开始演戏了。
走在城市的路上/空間與往裡面放入人/只是在迷路中認得路/要一直做下去才好 要做完/相遇 相遇/同一個地方 不同的人 不同的感覺/記憶與未能忘記/電影院/我在哪/迷路/想了解更多去提供幫助 但可能踏入了他人的邊界造成了影響/鏡子 鏡子 鏡子 路線 方向/對對方的好奇/看見對方/landmark/發生/交換/流動流動/另一條路/不同顏色/慢慢地跟著/附近/從門裡飄出來的歌聲/通勤 通勤/迷妄未忘微望/更喜歡第一第二個
无聊到看得如坐针毡，主创Q&A没听就走了，真的就是木兰源泉的水平不知道TIFF怎么选中的。看了这部是因为programmer介绍里提到了Before三部曲，事实证明想拍一部在城市里散步聊天的好电影真的很需要功力。男主还是很可爱的，somehow有点董子健的感觉。
TIFF23@ScotiabankTheatre
很喜欢，马路片，一男一女慢慢地走静静地聊，或暧昧或温馨的情绪。